Singular, idiosyncratic and a little mysterious, Black Clock is one of America's leading literary journals.

Posts Tagged ‘Steve Erickson’—

Steve Erickson Pays Tribute to Gabriel García Márquez

Gabriel-Garcia-Marquez-obit-ftr “One Hundred Years of Solitude didn’t just crystalize who García Márquez was, it crystalized who I was.”

At The American Prospect, novelist and Black Clock Editor-in-Chief Steve Erickson reflects on the author’s legacy, and the way his seminal novel “not only changed the modern imagination but staked a claim on its behalf.”

Black Clock 16 Launch at The Last Bookstore

moody1Last Sunday, writers and readers alike convened at downtown L.A.’s The Last Bookstore to celebrate the much-anticipated release of Black Clock 16. Located in an old bank building fit with tall columns, dim lighting and an arched ceiling, the cathedral-like Last Bookstore hosts a massive collection of new and used books and vinyl records (many for as cheap as $1!) that requires seriously superhuman strength not to peruse for hours on end. What’s more, with such artful installations as its eerie flying typewriter sculpture and a walk-through tunnel made of books, The Last Bookstore offered Black Clock the perfect setting in which to launch its dystopic Issue No. 16. As KCRW’s Michael Silverblatt put it to the crowd on Sunday: “This is an entire issue of how we’re falling apart. Here at The Last Bookstore we can come together and not fall apart.”

Seats filled quickly and stragglers settled for standing room only as Black Clock Editor Steve Erickson took the stage to present the night’s readers. Up first was Claire Phillips (author of Black Market Babies and a previous contributor to Black Clock 15) reading the entirety of her short yet impactful story “Tubular,” a science fiction piece set in a disturbingly familiar, near-future Los Angeles which has succumbed to mass societal collapse after the 2010 B.P. oil spill. Attendees on Sunday listened intently as Phillips’ characters navigated their strange, new landscape with necessary wit and numbness, even in the face of 10-foot “land-faring mutant worms.”

Next was The Contortionist’s Handbook and Dermaphoria author Craig Clevenger, who read an excerpt from his short story “Chicken Wire” while clad in a pair of snakeskin cowboy boots. Also set in and around Los Angeles, “Chicken Wire” tells the ominously humorous story of Jimmy Wynn, a failed metal band guitarist turned cab driver who spends most of his time in the Mojave desert begging his rough-and-tumble customers to pay their fares. Fans should look out for Six Finger Films’ “Smoke & Mirrors,” a short written by Clevenger and based on a chapter of his current novel-in-progress, scheduled for release later this year.

Last in the line-up was Rick Moody, author of The Ice Storm and most recently, On Celestial Music: And Other Adventures in Listening. Before reading, Moody took a moment to affectionately warn the audience, “If you happen to be of the Red State persuasion, you might want to go get coffee now.” This turned out to be good advice in the end: Moody read from his latest piece of nonfiction, entitled “Election Diary 2012” and chock full of unforgettable, fiery opinions regarding our country’s most recent presidential election race. Last Sunday’s listeners were especially tickled by his November 25, 2011 entry, in which Moody engages in a lengthy imagining of Newt Gingrich wearing diapers.

As the event came to a close, attendees mingled with the night’s readers and Black Clock staff in the relaxed atmosphere of The Last Bookstore’s main floor before slowly filtering out onto the twilit streets of downtown L.A. It was a night that proved truly surreal. Just like the issue it celebrated.

 

By Adriana Widdoes
an Editorial Assistant for Black Clock and an MFA Writing candidate at CalArts

Black Clock Editor Steve Erickson’s Just-Published Novel is “These Dreams of You” (Europa Editions)

 

“Truly electrifying. In its gorgeous, vivid prose and its acutely sensitive soul, These Dreams of You shows us just what a novel can still do in our own crazy times.”
The Boston Globe

“Beautiful, elegiac…threads and characters serendipitously stumble through a missing-link chain of coincidences, with mazes and labyrinths both real and imagined…a complex and imaginative literary tapestry about family and identity.”
Kirkus (starred review)


“Actions echo across time, continents and realities…a series of endless, astounding tessellations….”
The New York Times Book Review

“Erickson is superb at striking emotional notes, conjuring up historical figures, and ruminating on race and identity....These Dreams of You pushes against the idea of the novel as a stagnated medium by flexing its own vitality.”
Bookforum

“Magnificent. These Dreams of You is a big novel of big ideas — emotionally capacious and desperately relevant. As readers rush headlong toward its climax, they may feel as if they have emerged from something like a fever dream, as torrents of ideas and images wash over them (read in as few sittings as possible for maximum effect).”
New York Journal of Books

Appearances:

Thursday, February 16, 7 p.m.: Los Angeles Downtown Central Library, ALOUD with Percival Everett (www.lfla.org/event-detail/688/Percival-Everett-and-Steve-Erickson).

Wednesday, February 22, 7:30 p.m.: Skylight Books, Los Angeles (www.skylightbooks.com/event/steve-erickson-reads-and-signs-his-novel-these-dreams-you).

Monday, February 27, 7 p.m.: Elliott Bay, Seattle (www.elliottbaybook.com/node/events/feb12/erickson)

Tuesday, February 28, 7 p.m.: Tosca Café, San Francisco (www.litquake.org/calendar-of-events/event/steve-erickson-at-the-epicenter)

Tuesday, March 27, 7 p.m.: BookCourt, Brooklyn

SEE + HEAR + DO (5/3-5/10)

STEVE ERICKSON AT THE JAPAN SOCIETY IN NYC: SEEING STORIES: FICTION, MANGA & GRAPHIC NOVELS (5/03@76:30PM, NY)
East 47th St, New York, NY 10017
American and Japanese artists have been inspiring each other for decades. Tonight, authors Hideo Furukawa and Steve Erickson share their strong apocalyptic imaginations, and Roland Kelts, half-Japanese author of Japanamerica, will discuss the mutual influences in narrative visual art. Followed by a reception. Buy tickets online or call the Japan Society Box Office at (212) 715-1258, Mon– Fri 11AM–6PM, weekends 11AM–5PM. $12/$8 Japan Society members, seniors & students.

LARRY FLYNT + DAVID EISENBACH (5/04@ 7PM, LA)
Book Soup, 8818 Sunset Blvd, West Hollywood, CA 90069
The authors will discuss and sign their book One Nation Under Sex. Free.

CHICAGO DURUTTI SKOOL: WORKSHOP WITH THE NEXT OBJECTIVISTS (5/05@7PM, CHICAGO)
The Mess Hall, 6932 North Glenwood Ave, Chicago, IL 60626
A free, open-to-the-public poetry workshop dedicated to the study & reproduction of the outsidereal. Free.

THE POETRY OF GLOBAL CITIZENS (5/06@7:30PM)
Beyond Baroque, 681 Venice Blvd, Venice, CA 90291
Celebrate the launch of new works by Iranian-American poet and artist KATAYOON ZANDVAKILI in our upstairs Project Room. Readings to follow. Admission $7, students/ seniors/children $5, Free for members.

FREE COMIC BOOK DAY (5/07@ALL DAY)
Various Locations
Free Comic Book Day is a single day–the first Saturday in May each year–when participating comic book shops across North America and around the world give away comic books absolutely Free to anyone who comes into their stores.

MOTHER’S DAY FESTIVAL ON OLVERA STREET (5/8@ 10AM, LA)
Olvera Street, El Pueblo de Los Angeles Historic Site, Main St & Cesar E Chavez Ave, Los Angeles, CA 90012
Food, fun and celebration of moms. Free.

AN EVENING WITH LEONARD NIMOY (5/09@6PM, BOSTON)
Metcalf Hall, Boston University,  775 Commonwealth Ave, Boston, MA 02116
The pop-icon and Boston native discusses his life and multi-faceted career. $25 admission, Free to members of the Friends of the Libraries and the BU Community.

James Franco options Steve Erickson’s “Zeroville”

Variety‘s Jeff Sneider reports:

James Franco has optioned feature film rights to Steve Erickson’s 2007 novel Zeroville and will develop the project under his Rabbit Bandini Prods. banner with an eye to direct the pic.

Franco will produce with Miles Levy and Vince Jolivette, though there are currently no plans for the thesp to star. The trio are eyeing an early 2012 start date.

The darkly comic story follows Ike “Vikar” Jerome, a 24-year-old student who arrives in Hollywood in 1969 with dreams of breaking into the movie business, which is in the midst of a seismic shift as the decline of studios gives way to the rise of independent directors. Jerome, who has tattoos of “A Place in the Sun” stars Montgomery Clift and Elizabeth Taylor on his head, becomes a successful film editor and embarks on a Hollywood journey that ends in both tragedy and discovery.

Characters in the book include Robert De Niro, Brian De Palma, Ryan O’Neal, John Milius, Margot Kidder, Ali McGraw, Paul Schrader and the ghost of Clift.

Zeroville was named one of the best novels of 2007 by Newsweek, the Washington Post BookWorld and the Los Angeles Times Book Review, among others.

Franco is set to play the title role in Disney’s Oz: The Great and Powerful, which starts filming this summer. He next stars in David Gordon Green’s comedy Your Highness, which Universal releases April 8, and also toplines 20th Century Fox’s Rise of the Apes.

Erickson’s next novel, These Dreams of You, will be published by Europa in February.

Franco is repped by CAA and James/Levy Management.

Contact Jeff Sneider at [email protected]

Honors For Steve Erickson

Black Clock editor Steve Erickson is one of seven writers to receive an Academy Award in Literature from The American Academy Of Arts And Letters. Additionally, Steve has been named a finalist for an American Society Of Magazine Editors National Magazine Award in Criticism.

In 1941 The American Academy Of Arts And Letters established awards to encourage creative work in the American arts. Now $7500 each, Academy Awards are given annually to artists, writers, composers, and architects. The Awards in Literature are given in recognition of “exceptional accomplishment in any genre.” Past recipients of this honor include David Mamet, William S. Burroughs, David Markson, Rikki Ducornet, Lorrie Moore, and Black Clock contributors William T. Vollmann and Don DeLillo.

The awards will be presented in New York in May at the Academy’s annual Ceremonial. The Academy’s 250 members nominate candidates, and a rotating committee of writers selects winners. This year’s committee members were Philip Levine, Romulus Linney, Rosanna Warren, and Joy Williams.

Co-sponsored by the American Society Of Magazine Editors and the Columbia University Graduate School In Journalism, the National Magazine Award is generally recognized to be the highest (or Pulitzer-like) honor accorded to writers in the magazine industry. Steve has been nominated for three reviews which originally appeared in the Los Angeles Magazine:

“The Next Frontier” [essay on the revived science fiction television serial Battlestar Galactica] (January 2009)

“War Games” [essay on Kathryn Bigelow’s The Hurt Locker and Armando Iannucci’s In The Loop] (July 2009)

“No Ordinary Fad” [essay on the enduring popularity of The Beatles in the digital age] (September 2009)

Past recipients of the Award in Criticism include James Wood, Adam Gopnik, James Wolcott, Anthony Lane, and Black Clock contributor Tom Carson. Winners of the “Ellie” (named for the the Alexander Calder stabile “Elephant” awarded each winner) will be feted at a gala to be held at Alice Tully Hall in New York on April 22nd.

For a complete listing of this year’s nominee’s, please visit the Magazine Publishers Of America‘s website.

Congratulations Steve.

Staccato-Like

Attendees of this coming weekend’s 5th anniversary / 10th issue launch reading can look forward to mixing with a special selection of noir sounds as selected and sequenced by Black Clock editor Steve Erickson.

In fact, dig.



Limited Edition Soundtrack CD

1. “Générique” by Miles Davis
2. “The Big Sleep” by Max Steiner
3. “Double Indemnity” by Miklos Rosza
4. “Body Heat” by John Barry
5. “If You Go” by Helen Merrill
6. “Peter Gunn” by Henry Mancini
7. “Vertigo” by Bernard Herrmann
8. “The Bad And The Beautiful” by David Raksin
9. “Harlem Nocturne” by Harry James
10. “Touch Of Evil” by Henry Mancini
11. “It’s A Lonesome Old Town” by Frank Sinatra
12. “Laura” by David Raksin
13. “Marlowe” by David Shire
14. “Taxi Driver” by Bernard Herrmann
15. “Park Avenue Beat” by Fred Steiner
16. “The Fountainhead” by Max Steiner
17. “Long Ago And Far Away” by Jo Stafford
18. “Chinatown” by Jerry Goldsmith


David Foster Wallace: 1962-2008

I never met David Foster Wallace. My first contact with him was by a postcard from out of the Pomona desert, when he wrote to confess he had attended a reading I gave at the Hammer Museum and then had not introduced himself — all of which seems sadder now, since no such opportunity can present itself again.  There are no statistics to prove it, but the anecdotal evidence is that he may have influenced the upcoming generation of writers more than almost anyone else; six or seven years ago, every other piece of fiction that floated through the workshop I taught was distinguished by an ecstasy of footnotes,homages to Wallace’s revolutionary form even if they missed Wallace’s point, which was a larger ecstasy: the cosmos broken down into particles of words that each constituted tiny cosmos unto themselves.  In Wallace’s fiction, every shard of existence seemed to be a thing of wonder; but that wonder clearly could not sustain an existence wracked by whatever it was that wracked his.  It is the psychosis of writers to be most alive when they’re at work on something that matters to them.  Not at work, writers are beset by the lethality of their own lostness; no time is more dangerous for a novelist than that between novels.  In the brief correspondence that he and I had, Wallace conveyed the quiet kindness attributed to him by those who knew him much better, and his contribution to this magazine in its very first issue was only one small gesture of a larger generosity that, in the end, he extended to everyone but himself.

by Steve Erickson
Editor of Black Clock

Black Clock At The Los Angeles Times Festival Of Books (UCLA)

Black Clock @ The Los Angeles Times Festival Of Books (UCLA)

Saturday, April 26 2008 (10 AM to 6 PM) – Sunday, April 27 2008 (10 AM to 5 PM)

Black Clock and CalArts will be among the exhibitors at the 13th Annual Los Angeles Times Festival Of Books. Drop by booth #661 (Zone F – Dickson Court North) to meet our editorial staff, purchase issues of Black Clock, and learn more about The CalArts MFA Writing Program. Additionally, Black Clock Editor Steve Erickson and Senior Editor Bruce Bauman will be participating in the following Festival panels:

  • “Fiction: Grace Under Pressure” (11:30 AM Saturday, April 26 2008; Moore 100)

    Bruce Bauman / Barbara Isenberg (Moderator) / Gina Nahai / Andrew O’Hagan / Arthur Phillips

  • “Fiction: Alternative Visions” (1 PM Sunday, April 27 2008; Korn Hall)

    Steve Erickson / Shelley Jackson / Zachary Lazar / Nina Revoyr / David L. Ulin (Moderator)

Please consult the Festival website for further information about admission, parking, schedules, etc.