Singular, idiosyncratic and a little mysterious, Black Clock is one of America's leading literary journals.

Posts Tagged ‘Skylight Books’—

Black Clock Editor Steve Erickson’s Just-Published Novel is “These Dreams of You” (Europa Editions)

 

“Truly electrifying. In its gorgeous, vivid prose and its acutely sensitive soul, These Dreams of You shows us just what a novel can still do in our own crazy times.”
The Boston Globe

“Beautiful, elegiac…threads and characters serendipitously stumble through a missing-link chain of coincidences, with mazes and labyrinths both real and imagined…a complex and imaginative literary tapestry about family and identity.”
Kirkus (starred review)


“Actions echo across time, continents and realities…a series of endless, astounding tessellations….”
The New York Times Book Review

“Erickson is superb at striking emotional notes, conjuring up historical figures, and ruminating on race and identity....These Dreams of You pushes against the idea of the novel as a stagnated medium by flexing its own vitality.”
Bookforum

“Magnificent. These Dreams of You is a big novel of big ideas — emotionally capacious and desperately relevant. As readers rush headlong toward its climax, they may feel as if they have emerged from something like a fever dream, as torrents of ideas and images wash over them (read in as few sittings as possible for maximum effect).”
New York Journal of Books

Appearances:

Thursday, February 16, 7 p.m.: Los Angeles Downtown Central Library, ALOUD with Percival Everett (www.lfla.org/event-detail/688/Percival-Everett-and-Steve-Erickson).

Wednesday, February 22, 7:30 p.m.: Skylight Books, Los Angeles (www.skylightbooks.com/event/steve-erickson-reads-and-signs-his-novel-these-dreams-you).

Monday, February 27, 7 p.m.: Elliott Bay, Seattle (www.elliottbaybook.com/node/events/feb12/erickson)

Tuesday, February 28, 7 p.m.: Tosca Café, San Francisco (www.litquake.org/calendar-of-events/event/steve-erickson-at-the-epicenter)

Tuesday, March 27, 7 p.m.: BookCourt, Brooklyn

SEE + HEAR + DO (5/11-5/17)

A LITERARY CELEBRATION! GABRIEL GARCIA MARQUEZ’S ONE HUNDRED YEARS OF SOLITUDE (5/11 @ 7:30PM, NY)
Leonard Nimoy Thalia, 2537 Broadway at 95th Street, New York, NY 10025-6990

Oscar Hijuelos (Pulitzer Prize winner of The Mambo Kings Play Songs of Love), Esmeralda Santiago (When I was Puerto Rican), and Kevin Brockmeier (The Illumination) discuss Gabriel García Márquez’s masterpiece. This event will include a performance of Judah Adashi’s Songs and Dances of Macondo with music by Quintet of the Americas and a reading by Sonia Manzano. $25

CALARTS MFA STUDENTS READ FROM THEIR WORK (5/13 @ 7:30PM, L.A.)
Skylight Books, 1818 N Vermont Ave, Los Angeles, CA 90027

Students in the CalArts Master of Fine Arts writing program read from their work. Diana Arterian, Marco Di Domenico, Henry Hoke, Emily Kiernan, and Amanda Montei read. Free.

POETRY FESTIVAL: A CELEBRATION OF LITERARY JOURNALS (5/15 @ 1PM, WEST CALDWELL)
West Caldwell Public Library, 30 Clinton Road, West Caldwell, NJ 07006

In its eighth year, this showcase event displays journals, holds poetry readings, and makes editors available for questions about publication. Free.

LUNADA WRITING WORKSHOP (5/16 @ 6:30PM, SF)
Galeria de la Raza, 2857 24th Street (at Bryant), San Francisco, CA 94110

“Coming Home, Making Home” is a writing workshop facilitated by Cathy Arellano, Andrea Serrano, and Michelle Otero, featured poets of the Lunada  Lunada ~ Literary Lounge & Open Mic SPRING SEASON FINALE: “Búrque to The Bay.”  From the Mission District, and Albuquerque New Mexico, the featured poets of the Lunada Spring Season Finale will offer a special writing workshop, open to the general public, to nurture a poetic exchange between writers from the Bay Area and the Southwest ~ Búrque to The Bay! $10-15 sliding scale; no one turned away for lack of funds.

SEE + HEAR + DO (3/16-3/22)

This week, See + Hear + Do travels into the future… or various versions of it.

MICHIO KAKU, PHYSICS OF THE FUTURE (3/16@7PM, NYC)
The Strand, 828 Broadway, New York, NY 10003
Theoretical physicist Michio Kaku—author of Physics of the Impossible and Hyperspace—materializes at The Strand bookstore to provide his forecast on where science is headed in the coming century. Highlights include elevators into space, driverless floating cars, robotic surgeons, and every boy’s dream, x-ray vision. Free.

ANDREW FOSTER ALTSCHUL (3/17@7:30PM, LA)
Skylight Books, 1818 N Vermont Avenue, Los Angeles, CA 90027
Andrew Foster Altschul, author of Lady Lazarus, reads from and signs his new novel Deus Ex Machina, about a reality TV show gone terribly awry, at Los Angeles’ Skylight Books. Free.

DEVO (3/19@8PM, LA)
Club Nokia, 800 West Olympic Blvd, Los Angeles, CA 90015
Performance artists cum rock band DEVO serve up their signature blend of essential vitamins, sci-fi kitsch, surrealist humor, and mordant discordant satirical synthetic pop. The Octopus Project opens. $35-$100.

LISA TEASLEY, PETER MEHLMAN, MEGAN BROWN (3/20@7:30PM, LA)
Wordspace, 3191 Casitas Ave #156, Los Angeles, CA 90039
Wordspace in Los Angeles continues its Featherless reading series with an unlikely trio: Lisa Teasley (Heat Signature, Dive), Peter Mehlman (Seinfeld writer/producer), and playwright Meghan Brown. Free.

DEB OLIN UNFERTH & BEN MARCUS (03/22@7PM, NYC)
The Center for Fiction, 17 East 47th St, New York, NY 10017
Novelist Ben Marcus (Notable American Women, The Age of Wire and String) and memoirist/fiction writer Deb Olin Unferth (Revolution: The Year I Fell in Love…, Vacation) will read and discuss their work at an event presented in partnership with Creative Capital. Free.

The Westwood Borders

Recently, my adapted grandparents both died. I say “adapted” because, through no fault of their own, my biological grandparents were not overtly present in my childhood, so my brother and I adapted our neighbors as grandparents. By recently, I mean days ago. Both of them within a week of one another; Daddy Bob from old age, sepsis, and diabetic complications, and Grandma Barb from heartbreak, worry, fear, old age, or something else I do not yet understand. As I write this first draft, I’m missing Bob’s funeral, but Grandma Barb has not yet been planted–she died this morning before she saw him off. As I am stuck in zip code 90028 with 33,086 others, I likely will not make the second service either. But I have learned something talking to my mother as she hustles around organizing: Every community is good at something. My hometown is good at funerals, and I do not mean this in a morbid way. We stand unopposed in celebrating a life. In a town of 439, it’s not uncommon to get 500 plus. I do not mean to go too far, but when I mentioned this to my mother the last time we were on the phone this evening, she said, “Yeah. People are just dying to have their funerals here.”

* * *

You don’t have to live in Los Angeles to know what this city is known to be good at; really, it’d be a waste to of time to list the obvious.  If you were to say L.A. is good at literature, you might easily be dismissed. But since I moved here six months ago, I have been exploring the spread community of its literati guided on suggestions from peers and profs at CalArts, from store and library pin-ups and emails, and from announcements tucked here and there in L.A.’s worthwhile Weekly, and I have found several venues worthy of note.

Of the bookstores I have found so far, Skylight is my favorite as it tastes the best in many ways; I wrote a post on it that can also found in this blog. I have also been to readings all over town. My favorite to date, perhaps because I was starstruck, was an ALOUD event hosted at Los Angeles’ Central Library. In conversation that evening were Leslie Marmon-Silko—from which I was starstruck—and Judith Freeman. But I have also been to small readings, held in galleries and homes that have been almost equally as entertaining. (Just a tip, almost all of these smaller readings come with free beer, but be careful, as to get to a literary event like any other event in Los Angeles, you almost always have to drive).

LA Weekly‘s “Border’s Denouement” article tipped me off to my most recent literary outing. The first line read, “Ding Dong, the Borders Books and Music superstore in Westwood is dead.” Its closing sale had been going on nearly a week by the time I read the article, but I was ecstatic. I called to ask, “Will you still be open tomorrow?”

“Yeah, at ten,” said the worker who answered—he sounded asleep and I wondered how many people had asked before me—”But if you’re wanting the sales, all the popular stuff is already gone.”

I had never been to that particular Borders, but to some extent, if you have been to one, you have been to them all, right? This was—as the Weekly exaggerated—a superstore.  At one point, there were two stories stuffed with loot, but the day I went, there were merely remnants. The merchandise was reduced to a desperate arrangement of floor shelving with cheap detective fiction and romance paperbacks selling for “99 Cents!!!” and even the shelves, chairs, benches, and tables were already picked off according to sticky-notes that read “Reserved for…”

As for the fiction section, the shelves were surprisingly full. Missing were all García Márquez, Hannah, Faulkner, Kesey, and Proulx titles I have on my reading list, but books had been carted from the back that (probably) should have been tossed away long ago for their lack of popularity. Quickly, I realized the real value of this event was to get me to find different titles by lesser known and forgotten writers, those writers and books everyone else passed time and again.  I tried hard not to pick any based on a cool cover, so I judged them on their first few pages, looking for perspective, narrative, and aesthetic choices that interest me.

The books I found have been really great and, for the most part, truly different from others in my small library. Some are by small presses, some are old, and some are esoterically foreign. I remind myself as I write, each was bought at Borders, and begin to wonder if housing such unpopular titles is why this particular Borders died.

Of the few purchases I have read so far, all have gone beyond expectation. The best is Ellen Foster, a 120 page novella (please do not be offended if Kaye Gibbons is your favorite writer and you feel she is well-known).  But my bias might be unfairly toward it as I am still riding a two-month high from Barry Hannah’s Ray. Really, as I write the second draft of this—I am in LAX, waiting impatiently for my flight home—I am amazed at the quality of almost every book I found. I recognize how silly this is; of course they were good, they were for sale, right? When I remind myself each was from Borders, I am almost disappointed that first, the books did not come from Skylight or Booksoup, and second, that the Borders is no longer.

* * *

As I sit in my apartment in Hollywood a few days after Grandma Barb’s funeral to work my third draft, I am still a bit tired, meaning I’ve been slow to get back to this. I realize there is a need to wrap this together though I am not inclined to do so, just as I don’t want to hear from anyone from home because I’ve talked to all of them too much lately. So I’m not going to. Instead, I will end on a thought that the Father (it was a secular affair, as was Bob’s, but the man in town who always heads the funerals is the Catholic priest) provided at the beginning of Grandma Barb’s service. He said, “A funeral is a sometimes confusing affair. There will be pain. Sadness. Regret. And longing. But with that, there will be happiness. Pride. And good memories. She would want that like she wanted it for Bob’s service. She was a gal who would be annoyed some of us even wore black today. Please forgive me, Barb…”

About the now defunct Westwood Borders? I would have gone back. Too late now.

by Justus Caudell
an Editorial Assistant for Black Clock and an MFA Writing candidate at CalArts

Skylight Books: Los Angeles’ Neighborhood Lit Shop

Before Black Clock 12 ‘s release reading in September, editors Bruce Bauman and Steve Erickson looked at each other—this was one the first meetings with the new interns—and agreed Skylight Books was one of the few, good independent book stores around. Really, they couldn’t think of others that have survived Amazon, Barnes and Noble, and the well-told condition of the publishing world nearly as well. In the recent “Best Of” issue, LA Weekly pitched Skylight as the “Indie-est Indie Bookstore,” topping Book Soup based mostly on its high-falutin’—“the Botoxed celebs, and the hellish parking situation, and the almost certain fact that you will have a ticket for not rotating your wheels toward the curb upon your return”—location. This is not to criticize—being new to L.A., I sometimes find myself enamored by the Botoxed celebs—as Book Soup does many similar things for contemporary reading as Skylight, and my one dig against Skylight, like Book Soup, is the parking situation. Maybe this is an L.A. dig. Steve and Bruce both pointed this out too: Be sure to go early if headed to one of the store’s many events. That said, above all, be sure to check out the events. The bookstore manages to bring tons of great authors to read and discuss their works. Even a cursory glance at the store’s calendar will show Skylight is constantly hosting a diverse group of artists. In the last two months, they’ve had James Ellroy, Tao Lin, Rick Moody, and even Judd Apatow to name a few. Yet, Skylight manages, as they claim, to be “what a neighborhood book store should be.”

“The neighborhood is trendy,” this is what a Hollywood local told me, “Yeah, kind of artsy, I guess.” The nearest Borders is two miles away. The nearest Starbucks, respectively, is at the end of the block, far from Skylight and businesses like Pyschobabble Café, Squaresville, Fred 62 (after the reading, a fellow CalArts MFA student said, “Man, you’ve got to eat there. It’s like a big thing,” so we went) and PopKiller. Yet, Skylight is far from trendy. They’re real and concerned. Just read the online reviews or go in and ask if it’s the culture of the neighborhood that’s made them so unique. They’ll say, “Well, I hope it’s actually that we’ve got a level of expertise.” This was my experience. Skylight is simultaneously from the Los Feliz neighborhood and beyond it, encompassing all of Los Angeles—they brought in Judd Apatow, remember—to become the city’s best vehicle to a national and international literary world. This is the feeling I get as I go. This comes just before the optimistic (is this a fallacy?) realization people do read books that aren’t written by Sarah Palin, Snookie, or Mario Lopez and even that there’s a productive literary culture still creating art. It’s intimidating, reassuring, and exciting for a young writer. I think: This is why I have come to Los Angeles to study. There’s opportunity—and maybe this is a fallacy too, but like the last it’s something I have to live on—if you want to work to find it. But this is about Skylight.

Like most real bookstores—this is told to me because my undergraduate college experience was spent in orders from Hastings and Amazon—employees have personalized favorite lists that are easy to delve into. This isn’t unlike the science behind Pandora or, sadly I admit, Amazon—“You might also like…”—just more intimate. I think even Borders is doing something like this now. Of course, independent bookstores did it first, but even in the rural, off-grid manner that my parents raised me in almost no independent bookstores existed. If I didn’t order a book through the Northwest Public Library or if neither my mom nor dad had it, I didn’t read it. So in ways, experiencing Skylight is new and nostalgic. They’ve got a collection of zines—available online because this is how a small bookstore survives—and chapbooks. They’ve a full collection of L.A. literature. They’ve a collection of real poets: Recently, Eileen Myles was in and now signed copies of her new novel, Inferno (A Poet’s Novel), are available on the shelves. They even have a special section for L.A. poets. Through talking with one of the workers, I got turned onto a great book by Pat Lawrence, Bedford, I’m confident I would never found otherwise. Not only do people here read; L.A. reads a lot. Skylight—I get this as I ask, “Excuse me, is this seat taken?”—is a knowledgeable community center celebrating literature.

For the Black Clock 12 reading there was standing room only. Bruce thanked everyone for coming(I think he said “Wow.”) and tossed up that Steve was probably somewhere enjoying a black russian before telling how the manager who’d just introduced him was a CalArts alum. This isn’t a shout out to CalArts. I just think it speaks to the community. Skylight is a neighborhood bookstore, welcoming, comfortable—there’s a tree inside, a high, domelike wood ceiling with skylights, and an open arrangement of shelves that invite movement—and intelligent but hip. Our reading was on a Sunday. The Post Office across the street was closed, so parking was free if only with a small risk; my other experiences have been cruising the side streets for a meter but if you’re of the mind, try L.A.’s metro (red line stop at Sunset and Vermont). But please don’t be deterred by parking. The effort is worth it. It’s not a tourist trap promising so much that seems aggressively used up by the time you make it. It’s Bruce giving away Black Clock garb to anyone who can answer: “Who was the only pitcher to ever throw a no-hitter on acid?” It’s Tod Goldberg rasping about golf and character Kip’s struggle with The Yips. It’s Paul Cullum reading his piece, “Why I Hate Sports” for all those who aren’t fanatics. It’s the comment from the front row, “Who scheduled this the same time as the best [football] game of the day?” just after Monica Carter spins Brett Farve’s thoughts during the biggest game of his literally endless career. There’s fulfillment and hope. It makes me realize a romantic thought about the culture of writing isn’t too ridiculous because there’s something intangible shared at Skylight that talks to that.

by Justus Caudell
an Editorial Assistant for Black Clock and an MFA Writing candidate at CalArts

Black Clock 12 Reading (9/19@5PM IN LA)

when September 19, 2010 @ 5:00pm
where Skylight Books, 1818 N Vermont Ave, Los Angeles, CA 90027 (313) 660-1175

Admission is free.

Come join us as we celebrate Black Clock 12 with contributors Monica Carter, Paul Cullum, Samantha Dunn, Tod Goldberg, Richard Rayner, and Nina Revoyr at Skylight Books!

Black Clock 12 takes you out to the ball game, where obsessions abound inside and outside the white lines. In these stories, essays and poems, the demarcation between winning and losing, humor and sadness is blurred; in sports, whether participating, watching or …rejecting, you discover who you are and who you’re not. As the writers in Black Clock know, the game may be played under bright lights but it’s in the crevices of darkness where the true game is found, because sports lie beyond the pleasure principle.

MONICA CARTER, a 2010 PEN USA Emerging Voices Fellow and 2010 Lambda Emerging LGBT Voices Fellow, has also been published in Pale Fire. She is working on her novel, Eating the Apple, set in 1930s Manhattan, which tells the story of an aging, alcoholic lesbian writer caught in a love triangle.

PAUL CULLUM is a freelance writer living in the Silver Lake region of Los Angeles. He has written extensively for the L.A. Weekly, New York Times, Los Angeles Times, Variety, the Hollywood Reporter, Stop Smiling, Arthur, and hundreds of tiny magazines that pay comically little. His Los Angeles Times West Magazine story on the Mexican Midget Rodeo was anthologized in The Best American Sports Writing 2007, published by Houghton Mifflin. His essay “Why I Hate Sports” is his first for Black Clock.

SAMANTHA DUNN is the author of several books, including the novel Failing Paris and the memoir Not By Accident: Reconstructing a Careless Life. She teaches in the UCLA Writers Program.

TOD GOLDBERG is the author of seven books of fiction, including the novels Living Dead Girl, a finalist for the Los Angeles Times Book Prize, Fake Liar Cheat, and the popular Burn Notice series, as well as
the short story collections Simplify and, most recently, Other Resort Cities. He lives in La Quinta, CA, where he directs UC-Riverside’s low residency MFA program in Creative Writing & Writing for the Performing Arts.

RICHARD RAYNER, born in England, now lives in Los Angeles. His books include the nonfiction book A Bright and Guilty Place, the memoir The Blue Suit and the novels The Cloud Sketcher, L.A. Without a Map, and Murder Book. His work has appeared in the New Yorker, the New York Times, and many other publications.

NINA REVOYR is the author of three novels, including Southland, a Los Angeles Times “Best Book of 2003,” and The Age of Dreaming, a finalist for the 2008 Los Angeles Times Book Prize. Her new novel, Wingshooters, will be published in 2011.

More information at www.blackclock.org and at www.skylightbooks.com/event

Grace Krilanovich + Joshua Mohr Read (9/09@7:30PM in LA)

when September 9, 2010 @ 7:30PM
where Skylight Books, 1818 N Vermont Ave, Los Angeles, CA 90027 (313) 660-1175

Admission is free.

Black Clock contributor Grace Krilanovich reads from her debut novel, The Orange Creeps, which we loved so much we published excerpts from it in Issue 4 AND Issue 7.  Fellow Two Dollar Radio author Joshua Mohr reads from his new highly-praised book, Termite Parade.

Grace Krilanovich has been a MacDowell Colony Fellow, and a finalist for the Starcherone Prize. Her first book, The Orange Eats Creeps, is the only novel to be excerpted twice in Black Clock.

Joshua Mohr is the author of the novel Some Things that Meant the World to Me, which was a San Francisco Chronicle bestseller and one of Oprah Magazine‘s Top 10 reads of 2009. His second novel, the newly released Termite Parade, has been called “No small achievement” by The New York Times Book Review. He has an MFA from the University of San Francisco and has published numerous short stories and essays in publications such as 7×7, the Bay Guardian, Zyzzyva, The Rumpus, Other Voices, the Cimarron Review, Gulf Coast and Pleiades, among many others. He lives in San Francisco and teaches fiction writing. Please visit him at joshuamohr.net.

More information is available on the Skylight Books website.

Rick Moody Reads (9/01@7:30PM in LA)

when September 1, 2010 @ 7:30PM
where Skylight Books, 1818 N Vermont Ave, Los Angeles, CA 90027 (313) 660-1175

Admission is free.

Rick Moody—Black Clock contributor (Issues 1, 2, 4, and 9) and award-winning author of Black Veil, Demonology, The Diviners, Garden State, The Ice Storm, Purple America, and Right Livelihoods—reads from his new novel The Four Fingers of Death.

“The book is entertaining and often poignant, probing the limits of technology, consciousness, and language in the face of grief.” — The New Yorker

“The Four Fingers of Death reads […] like a 700-page Kurt Vonnegut book.” — Time Out New York

Marc Fitten’s Indie 100

indie100mfitten.wordpress.com

Marc Fitten is on a quest. He’s taking a cross-country road trip, visiting one-hundred independent bookstores, and documenting the process on a blog. As of this posting, he’s over halfway there, having most recently visited bookstore number sixty-five, Kramerbooks & Afterwords Cafe in Washington, D.C.. Fitten’s already made his sweep through Los Angeles, and it’s interesting to read his final impressions in light of an initial biased confession in which he admits, “I didn’t expect much in the way of Los Angeles bookstores after the bonanza by the Bay, but…”.

by Doug Matus
a writer from Texas who now lives in Los Angeles