Current Issue— #18

Issue No. 18

Black Clock 18 offers its version of the cinematic “director’s cut.” Most authors have buried in their cyber-catacombs the book that got away, or the version of the published magnum opus stained with the blood of those darlings every writer learns must be killed. Black Clock 18 either represents the resurrection or provides the final resting place of editorial decisions regretted, rued and reconciled.

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“My idea was that Black Clock really would be a writer's magazine because the magazine offered them the freedom to do anything, to even fuck up if they wanted or needed to.”
—Steve Erickson, Editor

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